Book Log: Working on a Song
Nov. 13th, 2025 03:31 pmI got Anaïs Mitchell's Working on a Song: The Lyrics of Hadestown a few years ago after I first listened to the Hadestown OBC ago, watched a couple of bootlegs, and slowly realized hey, I'm into this. It isn't show I love end to end, like there's whole sections that don't do anything for me and I can only appreciate on a technical level, but the moments that hit hard, they hit very hard.
So I got Anaïs Mitchell's book because it was the only thing to do with the show that I could get from my side of the globe (still hoping for a touring production to drop by Singapore one day!), though I didn't read it properly at the time. I've read it now! It's all the lyrics as of the time of the Broadway opening, but Mitchell also goes through the creative process and shares lyric variations, some of which I've heard through the London production and Broadway previews. Some of the decisions that I found a little strange or disappointing (like the placement of "Why We Build the Wall" and the loss of Persephone's verse in "Chant II") are explained, as are the adjustments of the characters as time went along (especially how audiences tended to find Hades and Persephone more interesting than Orpheus and Eurydice).
Of course listened to the music and watched clips as I read the book, and got those feelings all over again. May have cried a bit, and so on.
So I got Anaïs Mitchell's book because it was the only thing to do with the show that I could get from my side of the globe (still hoping for a touring production to drop by Singapore one day!), though I didn't read it properly at the time. I've read it now! It's all the lyrics as of the time of the Broadway opening, but Mitchell also goes through the creative process and shares lyric variations, some of which I've heard through the London production and Broadway previews. Some of the decisions that I found a little strange or disappointing (like the placement of "Why We Build the Wall" and the loss of Persephone's verse in "Chant II") are explained, as are the adjustments of the characters as time went along (especially how audiences tended to find Hades and Persephone more interesting than Orpheus and Eurydice).
Of course listened to the music and watched clips as I read the book, and got those feelings all over again. May have cried a bit, and so on.





